GEMAAL OP ZUIDExpositieserie
Love, Labour, Liberate!
by:Yusser al Obaidi
and Yusser al Obaidi is a decolonial feminist researcher, writer and graphic designer who seeks to acknowledge and enable the radical potential of intimate relational spaces. She works with themes such as diasporic identity, oral histories, Sufi epistemology, modernity/coloniality, and the connection between micro and macro personal/political narratives. Her practice revolves around intimate forms of publishing and the mobilization of alternative knowledge circulation patterns for words that sit close to the skin. Her central concern: “How can we affirm other ways of being/knowing?”
Leana Boven
Leana Boven (b. 1993, Paramaribo) is a curator, programme maker, writer, and researcher with a background in gender- and postcolonial theory. Her work centers on counterculture, diasporic connectedness and the feeling of belonging, spatial justice, ecology and decolonial climate justice, and collective care.
Leana curated her first exhibition, On Collective Care & Togetherness, at MAMA in Rotterdam in 2020, and has since organized multiple exhibitions and programs. She worked as a curator at Casco Art Institute: Working for the Commons for several years, and currently works as a curator at Stroom Den Haag, where she curated the exhibitions Positions: Soft Intimacies (2024) and Beloved Waters (2025). She is also a curator at Gemaal op Zuid in Rotterdam, where, together with Yusser al Obaidi, she organized the exhibition series Spiritual Disobedience (2025) and Love, Labour, Liberate (2024). Leana has taught at the Willem de Kooning Academy in the Social Practice department and is currently a tutor in Social Design at the Design Academy Eindhoven. In addition to her teaching, Leana regularly writes for platforms such as Metropolis M and is a board member at No Limits! Art Castle.
Love, Labour, Liberate! is an exhibition series organized by Yusser al Obaidi and Leana Boven for Gemaal op Zuid, Rotterdam. The exhibition series, shaped collectively with participating artists, proposes alternative forms of homemaking that rid it of its domesticity, and affirm its communal creative power and liberatory potential. The devalorization of housework and its domestic confinement renders the labour that goes into it invisible, reducing its creativity to an individualised and gendered social responsibility. What liberatory potential emerges when we expand homemaking practices beyond the domestic realm and circulate shared knowledge, tools, and care in collective spaces? Can we craft or dream into being spaces that do not exist yet - spaces held and cared for by many hands?
Homesickness, (diasporic) longing, early loss of a home, gendered expectations, and home-labour-politics are themes the upcoming exhibitions of 2024 will engage with. Love, Labour, Liberate! makes space for artistic practices and research embodying a sense of urgency in regards to solidarity, hospitality, and maintenance, making possible collective forms of disruption and reclaiming. The creation of our collective home that holds us all is an act of liberation, which requires all to partake in homemaking.
Homesickness, (diasporic) longing, early loss of a home, gendered expectations, and home-labour-politics are themes the upcoming exhibitions of 2024 will engage with. Love, Labour, Liberate! makes space for artistic practices and research embodying a sense of urgency in regards to solidarity, hospitality, and maintenance, making possible collective forms of disruption and reclaiming. The creation of our collective home that holds us all is an act of liberation, which requires all to partake in homemaking.
2024
Agenda
21 sep 2024